digital
reconstruction
based on research & archival data
We create research-grounded digital reconstructions of lost or inaccessible heritage objects. We fuse archival photographs, drawings, and texts with physically accurate 3D.
Its core objective was a radical concept: to reimagine the material world to reflect the unity of all the arts.
digital
reconstruction
based on research & archival data
We create research-grounded digital reconstructions of lost or inaccessible heritage objects. We fuse archival photographs, drawings, and texts with physically accurate 3D.
Its core objective was a radical concept: to reimagine the material world to reflect the unity of all the arts.
(01)
what we do
our mission
heritage reconstruction
education
research
We reconstruct lost or inaccessible heritage objects at museum grade. We fuse archival photos, drawings, and texts with physically accurate 3D. Materials and mechanisms are modeled to documented standards. Each model carries transparent sources, version history, and a clear split between evidence and inference. Outputs fit research, exhibitions, risk-free display, and brand heritage. Delivery formats include web and AR where rights allow. Licensing and provenance are managed case by case.
We turn complex art history into practical skills. Courses, public talks, and workshops build visual literacy step by step. You learn to read imagery, map styles across periods, and understand materials and techniques. Sessions use originals and our reconstructions with guided comparisons. Cohort formats and certificates are available. Tailored sessions for museums, schools, and brands on request.
We work at the intersection of art history, digital humanities, and computer graphics. Our focus is method, validation, and ethics. We test pipelines, define quality metrics, and document decisions. Where rights permit, we publish datasets, protocols, and results. Partnerships with museums and universities ensure domain review and access to sources. The goal is reproducible reconstruction with measurable value for scholarship and display.
(01)
our mission
heritage reconstruction
education
research
We reconstruct lost or inaccessible heritage objects at museum grade. We fuse archival photos, drawings, and texts with physically accurate 3D. Materials and mechanisms are modeled to documented standards. Each model carries transparent sources, version history, and a clear split between evidence and inference. Outputs fit research, exhibitions, risk-free display, and brand heritage. Delivery formats include web and AR where rights allow. Licensing and provenance are managed case by case.
We turn complex art history into practical skills. Courses, public talks, and workshops build visual literacy step by step. You learn to read imagery, map styles across periods, and understand materials and techniques. Sessions use originals and our reconstructions with guided comparisons. Cohort formats and certificates are available. Tailored sessions for museums, schools, and brands on request.
We work at the intersection of art history, digital humanities, and computer graphics. Our focus is method, validation, and ethics. We test pipelines, define quality metrics, and document decisions. Where rights permit, we publish datasets, protocols, and results. Partnerships with museums and universities ensure domain review and access to sources. The goal is reproducible reconstruction with measurable value for scholarship and display.
what we do
Have a question?
We are happy to contact with you
Have a question?
We are happy to contact with you
Many objects are lost, fragile, or inaccessible. Digital reconstruction restores context and enables safe study and display. It widens access for scholars, students, and the public. It preserves knowledge when originals cannot travel.
WHAT WE DO
Why we do it
We reconstruct museum-grade Fabergé objects from documented sources. We fuse archival photos, drawings, and texts with physically accurate 3D. We record sources, version history, and the line between evidence and inference. We deliver for web and AR where rights permit.
GOAL
WHAT WE NEED
Build a verified corpus of Fabergé digital objects. Establish a clear quality standard and transparent method. Support scholarship, exhibitions, and teaching. Create a foundation for partnerships and licensing.
Funding for archival work, image rights, 3D production, and infrastructure. Contributors who care about research and craft. Art historians, archivists, 3D artists, mechanism and materials specialists, editors, and IP counsel. Institutional partners with access to sources and collections.
featured project
(03)
WE'RE CURRENTLY WORKING
Many objects are lost, fragile, or inaccessible. Digital reconstruction restores context and enables safe study and display. It widens access for scholars, students, and the public. It preserves knowledge when originals cannot travel.
WHAT WE DO
Why we do it
We reconstruct museum-grade Fabergé objects from documented sources. We fuse archival photos, drawings, and texts with physically accurate 3D. We record sources, version history, and the line between evidence and inference. We deliver for web and AR where rights permit.
GOAL
WHAT WE NEED
Build a verified corpus of Fabergé digital objects. Establish a clear quality standard and transparent method. Support scholarship, exhibitions, and teaching. Create a foundation for partnerships and licensing.
Funding for archival work, image rights, 3D production, and infrastructure. Contributors who care about research and craft. Art historians, archivists, 3D artists, mechanism and materials specialists, editors, and IP counsel. Institutional partners with access to sources and collections.
featured project
(03)
WE'RE CURRENTLY WORKING
PEOPLE
(06)
OUR COMMAND
eva maria frey
Milana Frey
Assistent
BARAT ROBERT
BARAT DANIJELA
Secretary
Chief Financial Officer
President
become a member
Membership provides sustained support for the mission and governance. Members receive early access to updates, invitations to previews, and periodic progress reports. Annual dues are fully reinvested in projects.
donate
Donations fund research, digital reconstructions, and open educational resources. All funds are allocated to the Verein’s statutory purpose with transparent reporting. One-off and recurring contributions are available.
support
(07)
WE NEED YOU
Heritage is our legacy from the past, what we live with today, and what we pass on to future generations. Heritage is our legacy from the past, what we live with today, and what we pass on to future generations
Heritage is our legacy from the past, what we live with today, and what we pass on to future generations. Heritage is our legacy from the past, what we live with today, and what we pass on to future generations
FAQ
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GOOD TO KNOW
No. A reconstruction is assembled from sources: photos, drawings, descriptions, and measurements. Scanning captures geometry directly from an accessible object. If a scan exists, we use it as one source, but the final model still undergoes historical-technical validation.
Accuracy rests on verified data. In the model we mark what is evidence and what is inference, and assign a confidence level. We keep version history, conduct expert reviews, and update models as new information appears.
Yes. Licenses are available for research/education, exhibitions, and commercial use. Formats: glTF, USDZ, FBX on request. Submit a request via the form with purpose, venue, and timeline; source credit is mandatory.
